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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク The Painter's Honeymoon ： ウィキペディア英語版 The Painter's Honeymoon ''The Painter's Honeymoon'' is a painting by Lord Frederic Leighton, produced in ''c.'' 1864 and currently housed at the Museum of Fine Arts, Boston. ==History== This is an interesting composition for Leighton, who usually veered towards Classical images and, in particular, favored nudes - the latter were so prolific in his work that many of his pictures had to be removed from the 1857 exhibition of English art that toured America, because they gave offense.〔C. Newall ''The Art of Lord Leighton'', Phaidon Press (1993).〕 The Italian man who sat for the newly married painter occurs often in Leighton's work: he was apparently one of the artist's favorite models. Importantly, his hands are painted in fine detail, emphasizing how crucial they are to his work. The soft tones and accuracy with which Leighton painted the couple contrasts obviously with the harshness of the orange tree behind them. Leighton appears to have had difficulty in painting it - on close inspection, the oranges look as though they have been enameled. Generally, the composition and glowing color of the picture reflect the influence of such 16th-century Venetian painters as Giorgione and Titian.〔Cf. MFA note on respective webpage ().〕 ''The Painter's Honeymoon'' was first exhibited at the Royal Academy in 1866 - it appears that Leighton deliberately prevented it from being shown publicly in the years following its completion.〔Cf. T. Barringer & E. Prettejohn, ''Frederic Leighton: Antiquity, Renaissance, Modernity'', Yale University Press (1999).〕 As Leighton was renowned for his lack of confidence and shyness, many of his contemporaries believed he felt he had betrayed too much of his own emotion to feel comfortable exhibiting the picture. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Painter's Honeymoon」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.